
40 Hearts 2026 Sabet #42
40 Hearts is about love fragmented. Everyone gets a piece. This is a fragment of one whole. But it’s also whole itself. Just like you. mini original 42


This little pengu is having the time of his life hanging out with stitch bunny! I'm falling in love with all these characters that bring so much joy to the world and I'm picking the ones that speak to me to most to share! This one definitely won my heart today.

40 Hearts is about love fragmented. Everyone gets a piece. This is a fragment of one whole. But it’s also whole itself. Just like you. mini original 42

This piece is a 16" x 12" original on paper. Inks and watercolors. Can I bring light into the world? It's kind of a silly question as the universe is made of light. But i guess I have a tendency to talk to myself when creating. Sometimes the thoughts spill over to the page. I don't remember where or when I created this piece but i know it's a good one. When i was going through all my pieces it stood out to me as a reminder of where I was in that era. Alot happening. Lots of peaks and valleys but also so much magic.

9" x 12" Ink and Watercolor on paper. For those who've seen my work over the years they know that I write a language that can only be described as channeled or light language. This language is called Lovescript. It came to me in 2016 and it has become a part of my visual language for the past decade. This piece is essentially created with lovescript - a more structured version of the language. The colors are unique. To be honest I don't remember what I used or why I went with neon, but when I held the piece the other day I could feel the vibrations. I love these colors and I'll have to use them more often.

9" x 12" Ink on paper This might be one of my favorite ways to create. Expressive splatters of color first. Let it sit, come back later and ad layers of love. There is really nothing like creating work just because you want to. This piece was created in the studio - most likely started as me seeing the blank piece of paper and just splattering some acrylic ink on it. I typically forget about these types of pieces until they're dry and ready to be worked on again. The second pass is what connects it all together. And something happens when they sit quietly In my studio for a year. The energy and vibration of the piece increases over time. And then it calls me to share it. And here we are.








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